米开朗基罗《大卫》的“左利手”之惑  

The Puzzle of"Left Handedness"in Michelangelo's David

作　　者：吴啸雷 Wu Xiaolei

机构地区：[1]广州美术学院美术学研究中心

出　　处：《艺术设计研究》2021年第4期79-88,共10页Art & Design Research

摘　　要：米开朗基罗的《大卫》是他本人最重要的作品之一,也是当时佛罗伦萨艺坛标志性的艺术事件。《大卫》的造型和姿态极具原创性和深意。本文试图以《大卫》的双手为契入点,尤其是对一种虚构的“左利手”视觉呈现的剖析,通过对奇妙双手的张力和“左利手”的姿态设计的逻辑分析,引出作者对于表现英雄大卫时间节点的巧妙安排,来探讨米开朗基罗的艺术原创力。Michelangelo's David is one of his most important works,and it is also a landmark art event in Florence at that time.The shape and posture of David is original and profound.This article attempts to take the hands of David as the starting point,especially the analysis of a fictional of"left handed"visual presentation.Through the logical analysis of the tension of wonderful hands and the posture design of"left-handed",it leads to the author's ingenious arrangement of time nodes for the performance of hero David,and explores Michelangelo's artistic originality.

关 键 词：米开朗基罗 《大卫》 手 

分 类 号：J05[艺术—艺术理论]