泼寒胡戏被禁原因再探——以夷夏观为视角  

Reexamination of the reasons for the prohibition of Po-han Singing and Dancing--From the perspective of the conception of Yi and Xia

作　　者：刘海 LIU Hai(School of Sociology and History, Fujian Normal University, Fuzhou 350117, China)

机构地区：[1]福建师范大学社会历史学院,福建福州350117

出　　处：《镇江高专学报》2022年第2期86-89,共4页Journal of Zhenjiang College

摘　　要：泼寒胡戏是自西域传入的胡俗,在唐代经历了由统治阶层争相观赏到皇帝下令禁止的过程。泼寒胡戏被禁是诸因素合力的结果,深植于民众认知的传统夷夏观是直接原因。泼寒胡戏被禁可视作唐玄宗对吐蕃军事战略调整的信号,也是唐玄宗政治政策弃“则天故事”的表现,且因在夷夏观念上同太宗朝契合,又成为依“贞观故事”的例证。在唐玄宗的政治权衡下,泼寒胡戏以不合华夏礼法被禁。The Po-han Singing and Dancing was introduced from the Western Region,and it went through a transformation process from the deep love by government officials to the prohibition by the emperor in the Tang Dynasty.The prohibition of Po-han Singing and Dancing was the result of the combined forces of various factors,and the conception of Yi and Xia was the direct reason,which was deeply rooted in the public's cognition.The prohibition of Po-han Singing and Dancing could be regarded as a signal of Emperor Xuanzong's adjustment of Tubo's military strategy.It was also a manifestation of Xuanzong's political policy abandoning the“Zetian Reign”,and because of its conformity with the Taizong dynasty in the conception of Yi and Xia,it became an example of the“Zhenguan Reign”.Under Xuanzong's political trade-offs,Po-han Singing and Dancing was banned for its being against Chinese etiquette.

关 键 词：泼寒胡戏 夷夏观 唐蕃关系 政策转向 

分 类 号：K892.26[历史地理—民俗学]