《乐记》与儒家乐政的学理建构  

The Book of Music and the Confucian Doctrinal Constructionof Music Theories to Be Applied to Governance

作　　者：付林鹏[1] FU Lin-peng(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《南通大学学报（社会科学版）》2022年第2期17-24,共8页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金一般项目“《乐经》衍生文献的整理与研究”(21BZW080)。

摘　　要：作为儒家乐论的集大成之作,《乐记》对西周以来的乐政理论进行了全面的学理建构。首先,《乐记》对“乐”的逻辑结构进行了拆解,将之分为“声”“音”“乐”三个部分,并分别赋予了不同的价值内涵,如“声”是个体情感的简单宣泄,“音”是省察政治得失的重要标准,“乐”不但是一种理想的道德伦理象征符号,更是一套系统而复杂的政教体系。其次,《乐记》引入了心、性、情等概念,将儒家的音乐理论纳入性情论的范畴之中,为乐政思想寻求学理依据。最后,《乐记》还重点讨论了儒家乐政的实现途径,即通过“反情和志”和“广乐成教”两种方式来感化人心,最终实现由个体之治到群体之治的政治设想。As a master collection of Confucian music theories,The Book of Music provides a comprehensive theoretical conception of the music theories to be applied in governance since the Western Zhou Dynasty.The Book of Music first dismantles the logical structure of“music”and divides it into three parts:“sound”,“tone”and“music”,each granted different values.For instance,“sound”is a simple expression of individual emotions,“tone”an important criterion to examine political gains and losses,“music”not only an ideal symbol of morality and ethics,but also a systematic and complex structure of politics and education.Secondly,The Book of Music also introduces the concepts of mentality,temperament,and emotion,incorporating Confucian music theory into the context of temperament theory in pursuit of a theoretical basis for the idea of governance inspired by music theories.Finally,the book also focuses on the fulfillment of the Confucian idea in the area,that is,the political vision of transitioning from the individual governance to the community governance through“achieving the harmony of nature and aspiration”and“enlightening people by music education”.

关 键 词：《乐记》 儒家 乐政 性情论 

分 类 号：B222[哲学宗教—中国哲学]