数字时代的叙事学重构  

The Reconstruction of Narratology in the Digital Age

作　　者：胡亚敏[1] Hu Yamin

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《江西社会科学》2022年第1期42-49,206,共9页Jiangxi Social Sciences

摘　　要：数字叙事作为一种在线叙事,具有人机交互的性质,超文本小说、互动影视作品和人工智能写作等是目前数字叙事的主要类型。数字技术进入叙事领域,不仅使叙事文本的呈现方式发生改变,而且导致叙事要素和结构的变化,构成了对经典叙事学中视角、叙述者、叙事时间、叙事结构等一系列核心概念和基本理论的挑战。数字叙事呼唤新的视野、新的理论,"交互"成为叙事的核心概念,"碎片化"催生了空间思维,"快感"跃为数字叙事的新体验,这些新的理念和因素促使经典叙事学的重构和再生。数字叙事的未来还有待时间检验,但数字叙事的探索为叙事学的发展创造了更多的可能性。As an online narrative, digital narrative is human-computer interactive. Hypertext novels, interactive movies and television series, and artificial intelligence writing are the main types of digital narratives at present. The application of digital technology in the narratives not only alters the presentation of narrative texts, but also brings changes to narrative elements and structures, which constitute a challenge to a series of core concepts and basic theories such as point of view, narrator, narrative time, and narrative structure in classical narratology. Digital narrative calls for new horizons and theories. With “interaction” becoming the core concept of narratives,“fragmentation” giving birth to spatial thinking, and “pleasure” rising as a new experience of digital narrative, the new ideas and factors promote the reconstruction and regeneration of classical narratology. The future of digital narrative still waits for the test of time, but digital narrative’s exploration creates more possibilities for the development of narratology.

关 键 词：数字技术 叙事学 交互 重构 

分 类 号：I0[文学—文学理论]