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作 者:朱静宜 宁强[1] ZHU Jingyi;NING Qiang(School of History,Capital Normal University,Beijing 100089,China)
出 处:《南都学坛(南阳师范学院人文社会科学学报)》2022年第3期6-11,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
摘 要:画像石墓作为墓葬艺术的主要形式,是了解当时历史习俗和宗教信仰的重要渠道,也是研究当时丧葬制度和人们生死观的主要依据,是探究人类文明进程的重要物质文化载体。位于山东沂南的画像石墓作为中华人民共和国成立后首批经科学发掘的墓葬,是难得的全墓室图像保存完好的多结构墓室,为研究当时墓葬礼仪提供完整空间图像材料。墓室作为死者的归宿始终在民间生活中占有重要的地位,汉代时,人们在生前就已开始为身后居所筹备,可见墓室不但反映了当时人们的生死观和宗教理念,也在一定程度反映了当时人们生活的需求和生产力的进步。As a major form of burial art,the pictorial stone tombs are an important channel for us to understand the historical customs and religious beliefs of the time,a major basis for us to study the burial system and the concept of life and death of the people at that time,as well as an important material and cultural carrier for exploring the process of human civilization.As one of the first scientifically excavated tombs after the founding of New China,the ancient pictorial stone tomb in Yinan,Shandong Province,is a rare multi-structured tomb with well-preserved images of the whole chamber,providing us with a large amount of pictorial materials for studying the burial rituals of the time.In this paper,we will rely on the available literature and adopt the research method of art historical image paradigm to conduct an overview of the overall spatial layout of the portrait images of the ancient mural stone tombs in Yinan,and infer the temporal and spatial paradigm of the Han Dynasty chamber art in the context of the period.The burial chamber has always played an important role in folk life as the final resting place.In the Han Dynasty,people began to prepare for their afterlife residence when they were still hale and hearty.It can be seen from the ancient burial chambers how people back at the time viewed life and death and handled religious matters.These burial chambers also provide a window into the needs of people’s life and to a certain extent the improvement in productivity in ancient times.
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