君子儒与诗教--论姚鼐诗歌的美学功用  

Scholar of Confucianism and Poetry Education--On the Aesthetic Function of Yao Nai’s Poetry

作　　者：周丽[1] ZHOU Li(Tongcheng Teachers College,Tongcheng 231400,China)

机构地区：[1]桐城师范高等专科学校桐城派学术研究中心,安徽桐城231400

出　　处：《哈尔滨学院学报》2022年第5期85-88,共4页Journal of Harbin University

基　　金：安徽省高等学校人文社会科学研究重点项目,项目编号:SK2020A0685;安徽省高等学校省级质量工程项目一般教学研究项目,项目编号:2019jyxm0570,2019jyxm0568;桐城师范高等专科学校桐城派与桐城文化研究专题重点项目,项目编号:TCSZ2019SKZXzd01。

摘　　要：桐城派巨擘姚鼐在诗歌领域建树颇丰,他的诗洁净精微,生动地叙述了当时社会的自然风光、生活面貌、政治习俗等,倾注了诗人无尽的情感。作为信奉孔孟之道、程朱之学的儒家知识分子,姚鼐遵循孔子“兴、观、群、怨”的诗歌美学思想,将诗歌的情感性与功用性有机结合起来,从而令诗歌臻于艺术性与实用性相统一的境界。Yao Nai,a great poet of Tongcheng school,has made great achievements in the field of poetry.His poetry is clean and subtle,vividly describes the natural scenery,life and political customs of the society at that time,and poured endless emotion into the poet.As a Confucian intellectual who believed in the way of Confucius and Mencius and the study of Cheng and Zhu,Yao Nai followed Confucius’poetic aesthetic thought of social functions.He combined the emotion and function of poetry organically to make poetry reach the unity of artistry and practicability.

关 键 词：姚鼐 君子儒 诗教 

分 类 号：I207.22[文学—中国文学]