哈姆雷特与莎士比亚的理性主义  

Hamlet and William Shakespeare’s Rationalism

作　　者：王钢[1] Wang Gang(Jilin Normal University,Siping 136000,P.R.China)

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《江西科技师范大学学报》2022年第2期108-113,共6页Journal of Jiangxi Science & Technology Normal University

基　　金：吉林省社科基金规划项目“吉剧改编版莎士比亚戏剧‘在地化’反思研究”(编号:2020B164)。

摘　　要：哈姆雷特是莎士比亚塑造的最为重要的理性巨人形象之一。作家一方面通过这一人物深奥丰富的哲理诗情展现了最完备、最恰当的近代文学精神,另一方面传达出一种深远的历史洞察力以及更为成熟的向历史纵深方向思考、探索的可贵精神。在文本细读的基础上,撷取哈姆雷特对生命哲学的思索、理性的伪装与自我超越以及关于“人是何物”的时代之思三个重要的理性呈现维度,探讨并阐释这一人物形象与莎士比亚理性精神展现之间的内在肌理联系,并由此得出结论:凭借哈姆雷特理性主义思索维度的艺术化展现,莎士比亚在某种程度上实现了身份角色的转换,即他既是一个好的诗人和剧作家,也是一个好的“哲学家”。Hamlet was one of the most important images of rational giants created by Shakespeare.On the one hand,the writer showed the most complete and appropriate modern literary spirit through this character's profound and rich philosophical poetics,on the other hand,he conveyed a far-reaching historical insight and a more mature valuable spirit of thinking and exploring in the depth of history.Based on the close reading of the text,the paper captures three important rational presentation dimensions:Hamlet's thinking about life philosophy,rational camouflage and self transcendence,and the thought of the times about"what is man".It discusses and explains the internal texture relationship between this character image and the display of Shakespeare's rational spirit,and comes to the conclusion that with the artistic display of Hamlet's rational thinking dimension.Shakespeare realized the transformation of identity and role to some extent,that is,he was not only a good poet and playwright,but also a good"philosopher".

关 键 词：莎士比亚 哈姆雷特 理性主义 哲学思索 

分 类 号：I073[文学—文学理论]