“缘情”和“性情”--中国诗学“情”之内涵探讨  

Yuanqing and Xingqing:An Exploration of the Connotation of Qing in Chinese Poetics

作　　者：毛宣国 Mao Xuanguo

机构地区：[1]中南大学文学与新闻传播学院,长沙410012

出　　处：《中国文学批评》2022年第2期93-102,M0004,M0005,共12页Chinese Journal of Literary Criticism

摘　　要：“情”是中国诗学的核心范畴,其内涵一是“缘情”,即“感物兴情”,它是中国古代天人合一哲学观念的产物,是天与人、心与物的同情同构与生命相通,不同于重视个人、自我和主体的西方浪漫主义情感理论,也不能用西方突出主体心理意义的“移情”说来解释;二是“性情”,它建立于儒家思想基础之上,既肯定“情”表达的合理性,又强调“情”必须受到“性”的节制,将艺术家的性情和个性融于社会意识和时代关怀之中,关系世运人生,教化人心、感化人心,在今天仍具有深刻的借鉴意义。Qing(emotion)is a core category of Chinese poetics,and it has two connotations.The first is yuanqing(originating from qing),i.e.ganwu xingqing(sensing the material and feeling the emotion of things),which is a product of the ancient Chinese philosophy of the unity of Heaven and man.This is different from the Western romantic theory of emotion,which attaches importance to the individual,the self and the subject,so it cannot be explained by the Western theory of empathy,which highlights the psychological significance of the subject.The second connotation is xingqing(nature and emotion),which is based on Confucianism.It affirms the reasonableness of the expression of qing,yet emphasizes that qing must be restrained by xing.

关 键 词：中国诗学 缘情 性情 感物 个性自我 社会意识 

分 类 号：I207.22[文学—中国文学]