《图画见闻志》之画史写作方法的创新性  

Innovation of the Writing Method on Painting History in Tuhua Jianwen Zhi

作　　者：尹子琪 YIN Zi-qi(Institute of Philosophy,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院哲学研究所,北京100732

出　　处：《武汉理工大学学报（社会科学版）》2022年第2期52-58,共7页Journal of Wuhan University of Technology:Social Sciences Edition

摘　　要：《图画见闻志》是宋代郭若虚承接唐代张彦远《历代名画记》所写的绘画断代史著作,在继承《历代名画记》的写作体例上,有许多创新之处,如革新前代画史分品评论画家的方式,而按人品、修养、学识对画家进行分类评论;卷五卷六中叙事性的写作方法推进了中国美术史“史论评”的基本文本范式的形成;并增加卷六《近事》当代史的部分,还提出新的“气韵非师”与“用笔得失”等美学观念。从《图画见闻志》的内容概述、各部分结构安排与《历代名画记》的对比、史论评结合(品评画家和叙述绘画故事的方式相结合、叙述历史与绘画理论相结合)的写作方式三个方面来探讨其画史的写作方法,以及《图画见闻志》在整个画史体系中承前启后的作用和地位。Tuhua Jianwen Zhi is a dynastic historical work on painting by Guo Ruoxu in the Song Dynasty,following Zhang Yanyuan’s Famous Paintings in the Past Dynasties in the Tang Dynasty.There are many innovations in inheriting the writing style of Famous Paintings in the Past Dynasties.For example,it has innovated the way of commenting on painters in the previous generation of painting history,but classified and commented on painters in character,cultivation,and knowledge;the narrative writing method in Volume 5 and Volume 6 has promoted the“history comment judgement”of Chinese art history.It also adds a section on the contemporary history of Recent Events in Volume 6,and also proposes new aesthetic concepts such as“气韵非师”and“用笔得失”.This article discusses the writing method of its painting history from three aspects:the content of Tuhua Jianwen Zhi,the comparison of the structure with Famous Paintings of the Past Dynasties,and the combination of history,comment and judgement.It further explains the role and status of Tuhua Jianwen Zhi in the entire painting history system.

关 键 词：《图画见闻志》 写作方法 郭若虚 

分 类 号：J120.9[艺术—艺术理论]