工业遗存的公共艺术转化对交往情境的建构--以上海杨浦滨江永久点位艺术项目为中心  

Construction of Communication Situation with Transformation of Industrial Relics by Public Art-Focusing on Shanghai Yangpu Riverside Permanent Site Art Project

作　　者：陈霖 沈建霞 Chen Lin;Shen Jianxia

机构地区：[1]苏州大学传媒学院 [2]复旦大学信息与传播研究中心

出　　处：《文化研究》2021年第4期103-118,共16页Cultural Studies

基　　金：国家社科基金一般项目“交往理论视阈下的城市公共艺术传播研究”(项目编号:18BXW091)的阶段性成果。

摘　　要：公共艺术介入城市更新的研究,从传播的视角切入,以交往情境为理论焦点,考察杨浦滨江永久点位艺术项目。研究发现,面对工业遗存标识的情境定义,项目实施中展开的互动、交流、协商、合作,项目建成后的参观和分享,是交往情境建构的过程;公共艺术通过连接日常生活与艺术经验,连接不同的空间,实现交往情境的丰富性和整体性。本研究也揭示了公共艺术实践主体构成的复杂性,指出公共艺术的根本价值在于持续作用于城市空间,触发公共交往,促进共同生活的基础形成。The study of public art engaging in urban regeneration takes a communication perspective and examines the Yangpu River front permanent site art project with a theoretical focus on the communication situation.The study finds that,in the face of the situation definition of industrial relic signs,the interaction,communication,negotiation and cooperation that unfold during project implementation,and the visiting and sharing after the completion of the project are the processes of communication situation construction;public art achieves the richness and wholeness of communication situation in connectingdaily life and artistic experience, and in connecting different spaces. The studyalso reveals the complexity of the composition of the subjects of public artpractice, pointing out that the fundamental value of public art lies in its continuous effect on urban space, triggering public interactions and promoting theformation of the foundation of common life.

关 键 词：公共艺术 交往情境 上海城市空间艺术季 工业遗存 城市更新 

分 类 号：J0[艺术—艺术理论]