哲学诠释学与文学作品存在方式的本体论阐释  

Philosophical Hermeneutics and Ontological Interpretation of the Existence Mode of Literary Works

作　　者：李建盛 LI Jian-sheng(School of Chinese Language and literature,Beijing Foreign Studies University,Beijing 100089,China)

机构地区：[1]北京外国语大学中国语言文学学院,北京100089

出　　处：《河北学刊》2022年第5期8-17,共10页Hebei Academic Journal

基　　金：2019年度国家社会科学基金重大项目“中国文学阐释学的中外话语资源、理论形态研究与文献整理”(19ZDA264)。

摘　　要：哲学诠释学从人类此在存在的有限性和历史性出发,把文学作品视为自律性、表现性和真理性的存在,提出文学文本只是一个“半成品”的解释概念,认为文学作品的美只是邀请人们进入艺术经验的“请柬”。只有在诠释学理解事件的时间性过程中,文学作品的意义和真理经验才能得到实现,文学作品的本体论存在方式才能得到理解。在某种重要意义上,哲学诠释学改变了传统的文本概念,拓展了文学理解和解释的诠释性空间。但它完全否定作为文学诠释活动重要维度的作者意图阐释和形式结构分析也是值得商榷的。From the limitation and historicity of human Dasein being, philosophical hermeneutics regards literary works as the existence of autonomy, expressiveness and truthfulness, and puts forward that literary texts are only “Zwischenprodukt”, and the beauty of literary works is just an invitation to invite people into artistic experience. Only in the temporal process of hermeneutic understanding events can the meaning and truth experience of literary works be realized, and the ontological existence mode of literary works can be understood. In an important sense, philosophical hermeneutics has changed the traditional concept of text and expanded the interpretative space of literary understanding and interpretation. However, it completely negates the author’s intention interpretation and formal structure analysis as an important dimension of literary interpretation activities.

关 键 词：哲学诠释学 文学作品 文本 理解事件 本体论存在方式 

分 类 号：I01[文学—文学理论]