共同体视域下的家园书写比较研究——以《饥饿的路》与《生死疲劳》为例  

A Comparative Study of Homeland Writing from the Perspective of Community——With The Famished Road and Life and Death Are Wearing Me Out as Examples

作　　者：吴晓梅[1] 许宗瑞[1,2] WU Xiaomei;XU Zongrui(School of Foreign Languages,Anhui Agricultural University,Hefei 230036,China;School of English Studies,Shanghai International Studies University,Shanghai 201620,China)

机构地区：[1]安徽农业大学外国语学院,合肥230036 [2]上海外国语大学英语学院,上海201620

出　　处：《长春大学学报》2022年第7期62-66,共5页Journal of Changchun University

基　　金：安徽省教育厅高校优秀人才支持计划项目(gxyq2020152)。

摘　　要：本·奥克瑞的《饥饿的路》与莫言的《生死疲劳》在创作风格上均受到拉丁美洲魔幻现实主义的影响,这一源头分流至非洲和中国,结合各自民族中丰富的传统文化,观照社会现实,形成同“源”不同“流”的迥异风格,但是并未由此流散而去。研究两部作品的家园书写主题,可以探究两条不同的“流”经由相异的国度重新汇聚在一起,形成一股强大的内在力量,共同憧憬和探索理想的共同体。Ben Okri’s The Famished Road and Mo Yan’s Life and Death Are Wearing Me Out,in terms of writing style,are both influenced by the magic realism of Latin America.With the combination of the rich traditional culture of their own nations,they form different styles with the same “source” but different “branches”,whereas they do not flow away and have no connection.By studying the theme of homeland writing in the two novels,we can explore how the two different “branches” meet again after flowing through different countries,forming a strong internal force,and jointly longing for and exploring the ideal community.

关 键 词：《饥饿的路》 《生死疲劳》 家园书写 共同体 

分 类 号：I437.074[文学—其他各国文学] I207.425