写意绘画与书法创作的“教化要素”  

Bildung of Free-style Painting and Calligraphy Creation

作　　者：汪成智 张充吕[1] WANG Cheng-zhi;ZHANG Chong-lv(Qiqihar University,Qiqihar Heilongjiang 161003,China)

机构地区：[1]齐齐哈尔大学,黑龙江齐齐哈尔161003

出　　处：《齐齐哈尔师范高等专科学校学报》2022年第5期44-46,共3页Journal of Qiqihar Junior Teachers College

摘　　要：文人要素的加入对中国的绘画发展产生了极大的影响,文人的要素使得绘画的评价标准从最开始单纯的技法要求转变为精神、修养的要求。而受其影响最大的艺术品类就是写意绘画与书法艺术。近些年针对写意画与书法艺术的争议时有发生,主要是由创作者和及受众自身“教化要素”的缺失导致的。本文主要阐述了“教化”所包含的内容与“教化”在写意绘画及书法创作中的影响,以其对时下一些争议进行解释。It can be said that the addition of literati elements has a great impact on the development of Chinese painting,the elements of literati make the evaluation standard of painting from the original simple technique requirements to the requirements of spirit and cultivation.free-style painting and calligraphy are the most deeply influenced art categories.In recent years,disputes over freehand brushwork and calligraphy have occurred from time to time,mainly caused by the lack of"Bildung"of creators and audiences.This paper mainly expounds the contents of"Bildung"and the influence of"Bildung"on free-style painting and calligraphy creation and explains some current controversies with it.

关 键 词：教化 写意绘画 书法 

分 类 号：G42[文化科学—课程与教学论]