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作 者:罗易扉 Luo Yifei
出 处:《清华大学学报(哲学社会科学版)》2023年第2期148-157,231,共11页Journal of Tsinghua University(Philosophy and Social Sciences)
基 金:国家社会科学基金艺术学重大项目“中国艺术人类学的理论与实践研究”(21ZD10)。
摘 要:艺术作为记忆的一种形式,是人、地方与时间的联结之物。“地方”“记忆”与“艺术”具有层层关联及丰富的意义,“地方”是人与自然地点建立意义的精神空间与交往场所,是人类经验与有意义的“场所”。人类的记忆、想象与认同需要具体场所,而记忆、想象与认同则又重塑地方的“场所精神”。地方艺术连接着人对于地方的往昔历史经验,是人重返地方的记忆之物。地方艺术携带着个人、社会及国家的集体记忆,并帮助我们重建人的身份认同与民族认同。在世界民族处于一种松散结构的后民族时代,地方性知识与地方艺术对于身份认同具有重建意义。人通过地方艺术的可见形式,回到不可见的往昔历史经验。人通过充盈着地方场所精神的社会记忆,从而获得故土的身份认同,并通过地方艺术回到精神所栖息的故乡。Art, as a form of memory, is a type of connection for human beings, places and time. “ Place”,“memory” and “ art” have complicated correlation and full of rich meaning. “ Place” is both a type of spiritual space and social place for people, which is full of human experiences and spiritual significance.Human’s memory, imagination and identity connected with specific places, and memory, imagination and identity also reshape the “place”. Local art helps to gain the memory and identification. Local art carries the collective memory of individuals, society and nations, and helps us to rebuild human and national identities.In this post-national era when the nations in the world are in a loose structure, local knowledge and local art have reconstructed identity. We gain the memory and identification through the visible form from local art,and to go back to the invisible form by memory. We gain our identity through the social memory with“place”, and also obtain the identity of the native land and go back to the hometown of spirit through local art.
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