“人生艺术化”的审美意涵与现实意义  

Aesthetic Connotation and Practical Meanings of“Artification of Life ”

作　　者：梁晓萍 王楠 Liang Xiaoping;Wang Nan(School of Philosophyand Sociology,Shanxi University,Taiyuan,Shanxi,030006)

机构地区：[1]山西大学音乐学院 [2]山西大学哲学社会学学院,山西太原030006

出　　处：《民族艺术研究》2023年第2期84-90,共7页Ethnic Art Studies

基　　金：国家社会科学基金艺术学重大项目“美学与艺术学关键词研究”(项目批准号:17ZDA017)的阶段性研究成果。

摘　　要：“人生艺术化”是朱光潜学术研究的重要理论成果,其中蕴含着其对现实人生的深切关怀,最终目的指向净化人心与改造社会。其主要意涵包括“免俗”“尽性与自然”“自由与超越”三重境界,“审美教育”与“社会改造”是实现“人生艺术化”的两条道路。作为中西方思想交汇的产物,朱光潜“人生艺术化”理论为消费时代人们反思自身生命状态,摆脱功利束缚,进行自我心灵构建以重获活力人生提供了重要启发。“Artification of life”is an important theoretical result by Zhu Guangqian and it refers to deep consideration of realistic life so that the ultimate goal of it points to purification of people\s hearts and the reform of society.The main connotation of“artification of life”contains three levels as“escape from vulgarity”,“enjoy human nature”,and“free and beyond”.Meanwhile,“aesthetic education”and“social reform”are two ways to realize“artification of life”.As the product of the convergency of Western and Chinese thoughts,the theory of Zhu Guangqian\s“artification of life”inspires people to reflect on the status of life,to escape from utility,and to construct personal soul so as to regain vigorous life.

关 键 词：朱光潜 人生艺术化 审美教育 社会改造 

分 类 号：J01[艺术—艺术理论]