论文学本体论概念在中国近四十年的发展  

The Spread and Development of the Concept of Literary Ontology in the Past Forty Years in China

作　　者：张瑜[1] ZHANG Yu(School of Humanities and Communication,Zhejiang GongshangUniversity,Hangzhou,Zhejiang 310018)

机构地区：[1]浙江工商大学人文与传播学院,浙江杭州310018

出　　处：《中国文学研究》2023年第2期24-32,57,共10页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“改革开放40年文学理论学术史研究与文献整理”(19ZDA262)。

摘　　要：文学本体论是中国改革开放40年来文论界提出的影响最大的新兴文论术语之一,在中国当代文艺理论建设和发展中扮演着重要的角色。本文对40年来文学本体论概念在中国的传播和发展情况进行全面系统的考察和评述,主要关注两个问题:一是文论界对文学本体论含义理解的发展变化,二是总结文学本体论概念的演变对中国当代文论建设和发展的影响、贡献和理论得失。Literary ontology is one of the most influential literary theory concepts put forward by literary theory community in the past 40 years of China's reform and opening-up,and it plays an important role in the construction and development of the contemporary Chinese literary theory.This paper makes a comprehensive and systematic review and study of the communication and development of the concept of literary ontology.It mainly focuses on two issues:one is the development and changes in the understanding of the meaning of literary ontology by the literary theorists;the other is to summarize the influence,contribution and theoretical gain and loss of literary ontology research on the construction and development of the contemporary Chinese literary theory.

关 键 词：文学本体论 本体论 存在 形而上学 

分 类 号：I02[文学—文学理论]