书写、复制与文化衍生:宋代印刷与写本的互动  

Writing,Reproduction and Cultural Derivation:The interaction between printing and writing in the Song Dynasty

作　　者：张烁烁 Zhang Shuoshuo

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《南京艺术学院学报（美术与设计）》2023年第3期83-88,I0003,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：教育部人文社会科学研究规划基金项目《器物、群体、制度:社会学视角下的北宋书法研究》(19YJA760040)阶段性研究成果。

摘　　要：随着印刷术在宋代全面推广,文字传播效率的提升促进了文字职能分化,写本时代藉“石经”正定文字的传统逐渐向印本转渡,表现为宋代对官修字书的重视、校雠学的发展和政府对印本图书的监控三方面。印本普及对书写实用性的松绑,为“尚意书风”提供发展空间,“尚意”同时成为印本文字中“尚法”的反题与补充。As printing techniques became widespread in the Song Dynasty,the efficiency of textual transmission was enhanced,and the tradition of writing books,which had been formalized by the"stone scriptures",was gradually transferred to printed books,as evidenced by the importance attached to the officially edited books,the development of proof-reading,and the government's monitoring of printed books.The popularity of the printed book loosened the constraints on the practicality of writing,providing room for the development of the“writing style advocating bearing,”which at the same time became a counter-topic and complement to“advocating rules”of the printed text.

关 键 词：印刷术 写本 印本 互动 尚意书风 

分 类 号：J022[艺术—艺术理论]