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作 者:房杉 FANG Shan(School of Basic Medical Sciences,Zhejiang Chinese Medical University,Hangzhou Zhejiang,310051,China)
机构地区:[1]浙江中医药大学基础医学院,浙江杭州310051
出 处:《文化创新比较研究》2023年第15期64-69,共6页Comparative Study of Cultural Innovation
摘 要:中国传统音乐美学作为20世纪90年代兴起的音乐学方向的分支学科,经过近30年的研究发展已有不少的科研成果出现,该文旨在以中国传统音乐(非音乐理论)为研究载体,利用美学基本问题研究方法,进行普遍原理探索与规律总结,探讨其对当今社会的意义或价值,并在与西方文化的交锋中,保存自身个性。该文首先对中国知网数据库做相关文献检索,提取文献后再以VOSviewer对其进行可视化分析,据此得出,该学科以儒家、道家、古琴有关思想为发文热点,故该文拟对该学科以上代表性理论做综合述评,以上三者遵循“正、反、合”的历史逻辑关系,即为一种包含儒家入世思想、道家出世思想,古琴将前二者思想兼收并蓄为己所用的思想联系。Chinese traditional music aesthetics,as a branch discipline of musicology that emerged in the 1990s,has produced many scientific research results after nearly 30 years of research and development.The aim is to use traditional Chinese music(not music theory)as a research carrier,use basic aesthetic research methods,explore universal principles and summarize laws,explore its significance or value for today's society,and in the confrontation with Western culture,save your own personality.This article first conducted a literature search on the CNKI database,extracted the literature,and then visually analyzed it using VOSviewer.Based on this,it was concluded that the discipline focuses on the thoughts of Confucianism,Taoism,and Guqin.Therefore,this article intends to provide a comprehensive review of the representative theories of the discipline.The above three follow the historical logical relationship of"positive,negative,and combined",which is a type of ideology that includes Confucianism's accession to the world and Taoism's birth,Guqin combines the ideas of the first two for its own use.
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