“文艺是图像之象征”——牟宗三“文艺媒介论”简析  

“Literature and Art are Symbols of Images”——A Research On Mou Zongsan's Theory of Literary Media

作　　者：张新[1] Zhang Xin

机构地区：[1]河北大学哲学与社会学学院

出　　处：《媒介批评》2023年第1期277-289,共13页Media Criticism

基　　金：国家社会科学基金重点项目“王船山哲学研究”(项目编号:20FZXA004)的中期成果之一。

摘　　要：牟宗三认为,文艺是图像的象征。在牟宗三看来,文学艺术所表达的不仅仅是某种苦闷情绪,更是一种形式化的图像,这反映了牟宗三对文艺的理解,即把文艺视为一种媒介,用于传达作者低回的产物。文艺及其所象征的图像包含了时间和空间维度,并由时空的组合建构起一个文艺作品的现象形态。在诠释学的视域下,这一文艺作品的现象形态便是作为“象”而存在的,读者应该把这一作品视为直接所与,而不应存有先在预设。读者应该直接透过文艺图像去理解作品的内蕴和作者的生命,这表现了牟宗三对文艺作品本身的尊重。Mou Zongsan believes that literature and art are symbols of images.In Mou Zongsan's view,the expression of literature and art is not only a kind of depressed mood,but a kind of formalized image,which reflects Mou Zongsan's understanding of literature and art,that is,literature and art are regarded as media to convey the product of the author's thinking.Literature and art and the images it symbolizes contain the dimensions of time and space,and construct a phenomenological form of literary works from the combination of time and space.From the perspective of hermeneutics,the phenomenal form of this literary and artistic work exists as an“image”.The reader should regard this work as a direct result,rather than a pre-existing presupposition.Readers should understand the connotation of the works and the author's life directly through the literary images,which shows Mou Zongsan's respect for the literary works themselves.

关 键 词：图像 媒介 内蕴 诠释 

分 类 号：I0[文学—文学理论]