畛域·导向·反观--宋代士人的“逸格”眼光  

Domain,Guidance,and Reflection:the“Yige”Vision of the Song Dynasty Scholars

作　　者：牛乐[1] 李于蓝 NIU Le;LI Yu-lan(School of Fine Arts,Northwest Minzu University,Lanzhou,Gansu 730030)

机构地区：[1]西北民族大学美术学院,甘肃兰州730030

出　　处：《艺术百家》2023年第5期61-68,133,共9页Hundred Schools In Arts

摘　　要：“逸格”既可以作为评价艺术创作内在水准的术语,又可以指涉士人外在的身份及话语价值。宋代士人将自身审美意识蕴含其中的目的不只在于对以往的艺术评判体系做知识性矫正,更在于借此强化士人新道德并致力归附新兴文化群体的总体人格。审视此“异样”观念的形成与定位的合理性,将有效揭示宋代士人在协调艺术、传统、个体、社会的复杂关系方面做出的理论与实践尝试,以及在此之后一种愈发显著的“间离”雅俗的艺术导向。"Yige"is not only the term of the inner level of artistic creation,but also refers to the value of external identity discourse.The literati of the Song Dynasty embodied their aesthetic consciousness in"Yi",Their purpose is not to make intellectual corrections to the previous art evaluation system,but to strengthen the new morality of scholars and devote themselves to the overall personality of belonging to emerging cultural groups.By examining the rationality of the formation and positioning of this"strange"concept,it will effectively reveal the theoretical and practical attempts made by the Song Dynasty literati to reconcile the complex relationship between art,tradition,individual,and society,and after that,a more and more distinct artistic orientation.

关 键 词：“逸格”话语 身份认同 文以载道 

分 类 号：J0[艺术—艺术理论]