王羲之书法对《道德经》辩证法思想的契合  

The Correspondence Between Wang Xizhi’s Calligraphy and the Dialectical Thought of Tao Te Ching

作　　者：李永 LI Yong(College of Fine Arts and Design,Suzhou University,Suzhou 234111,China)

机构地区：[1]宿州学院美术与设计学院,安徽宿州234111

出　　处：《太原师范学院学报（社会科学版）》2023年第4期17-23,共7页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：作为天师道徒的王羲之,在其作品中直接明用或者间接暗用《道德经》的言论很多,《道德经》的一些哲学思想已经融化在他的艺术创作中,但没有引起学人的重视。学界对他的书法艺术研究已经很充分,但是系统研究他的书法哲学思想的论著则很少,尤其是对他的书法与《道德经》辩证法思想之间的关系的研究论著则更少。通过分析大量的王羲之书法文献,并结合其书法创作,从用笔、布白、心法三个独特视角,可以层层深入地阐释《道德经》辩证法思想在王羲之书法中的运用,揭示包括《道德经》在内的道家哲学对中国艺术哲学的重要影响。As a Taoist,Wang Xizhi quoted many sayings from Tao Te Ching in his works and applied its ideas to his calligraphy works,but it was ignored by many scholars.The research on his calligraphy art is deep enough though,few works systematically study his calligraphy philosophy,especially about the relationship between his calligraphy and the dialectical thinking of Tao Te Ching.By analyzing Wang Xizhi’s calligraphy theory and his calligraphy works,this article expounds the application of the dialectical thinking of Tao Te Ching in his calligraphy from three unique perspectives:his technique,spatial arrangement and mind philosophy,revealing the important influence of Taoist philosophy including Tao Te Ching on Chinese art philosophy.

关 键 词：王羲之 书法 《道德经》 用笔 布白 心法 

分 类 号：B223[哲学宗教—中国哲学] J292.1[艺术—美术]