顺应论视阈下《天堂蒜薹之歌》的乡土话语建构研究  

A Study on Discourse Construction in Contemporary Chinese Local Literature from the Perspective of Adaptation Theory——A Case Study of The Garlic Ballads

作　　者：李宝虎 李广伟[1] Li Baohu;Li Guangwei(University of South China,Hengyang,421001,China)

机构地区：[1]南华大学,湖南衡阳421001

出　　处：《语言与文化研究》2024年第1期53-57,共5页Language and Culture Research

摘　　要：本研究以顺应论为理论框架,以《天堂蒜薹之歌》为研究对象,旨在对其乡土文学话语建构规律进行研究。研究结果表明:乡土文学话语的构建一方面要从语境入手,实现交际语境和语言语境的顺应,包括社交世界、物理世界和心理世界的顺应,以及篇内衔接、互文性和线性序列的顺应;另一方面要从语言结构入手,实现四个方面的顺应:语言、语码、语体的顺应;话语构建成分的顺应;话语和语段类型的顺应;话语构建原则的顺应。本研究对乡土文学话语的构建和教学具有一定的启示。Based on the theoretical framework of the adaptation theory,this study took The Garlic Ballads as the object,aiming to analyze the rules of its local literary discourse.The results showed that the construction of local literature discourse should be realized from two aspects under the adaptation theory framework:context and language structure,so as to complete a good local literature work.The study has some implications for constructing and teaching local literature.

关 键 词：顺应论 《天堂蒜薹之歌》 乡土文学 乡土话语 

分 类 号：I20[文学—中国文学]