庄子本真理想人格审美内涵的现代阐释  

Modern Interpretation on the Aesthetic Connotation of Chuang Tzu’s Natural and Ideal Personality

作　　者：赵诗华 ZHAO SHI-hua(School of Literature,Huangshan University,Huangshan Anhui 245041,China)

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2024年第2期37-41,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：安徽省哲学社科规划青年项目:庄子“真”观念的“别现代”美学阐释(AHSKQ2020D205)。

摘　　要：《庄子》文本中描写了大量理想的人格形象,都以保持个体自身的本真以及追求内在精神的自由作为最高的生命理想,这主要体现在庄子所塑造的丑人、匠人和以真人为代表的神人、圣人、至人等三类群体身上。他们充分体现了庄子理想人格的建构及其所表现出的三种审美意蕴和人生境界:形体残缺的真丑之美及其追求的顺命境界、涵道于技的游戏之美及其安命境界、达道的精神飘逸之美及其逍遥境界,它们共同指向个体生存与生命精神的自由和自在,并将其作为理想人格的内在规定,呈现了庄子“以真为美”的人格审美内涵。Chuang Tzu describes many ideal personality images,all of which take maintaining an individual's authenticity and pursuing inner spiritual freedom as their highest life ideal.It was mainly reflected in three groups Chuang Tzu described:the ugly man,the craftsman and the divine man,and the sage and the supreme man.They fully embody the construction of Chuang Tzu's ideal per-sonality and its three aesthetic implications and life realm:the beauty of the true ugliness of the deformed body and its pursuit of follow-ing destiny,the beauty of the play of the way and its peace of life,the beauty of the spirit of the way and its realm of freedom.They all point to the freedom of the individual life spirit and take it as the inner quality of the ideal personality.All three of them jointly present the aesthetic connotation of Chuang Tzu's personality of"taking the natural as the beauty".

关 键 词：庄子 本真 人格 审美 

分 类 号：B223.5[哲学宗教—中国哲学]