老子“愚人”的艺术精神  

Research on the Artistic Spirit of“The Fool”in Laozi’s Philosophy

作　　者：李楷凡 徐小跃[1] LI Kai-fan;XU Xiao-yue(Department of Philosophy,Nanjing University,Nanjing,Jiangsu 210023)

机构地区：[1]南京大学哲学系,江苏南京210023

出　　处：《艺术百家》2024年第2期18-23,共6页Hundred Schools In Arts

摘　　要：老子哲学作为道家哲学思想的代表,同庄子哲学一道,为中国古代艺术精神的形成和发展奠定了基础。“愚人”作为老子哲学中塑造的一个特殊意象,其表现出的“愚”的精神带有深刻的艺术思想内涵。论文试图通过对老子哲学范畴中“愚”的解析,在“俗我之辨”中揭示“愚人”无知、含藏与玄同的特性,并进一步在哲学义旨的基础上,从重质朴、重含蓄和重独立三个方面,对“愚人”中所蕴藏的艺术精神进行探究,论述“愚人”的艺术精神在中国古代艺术中的体现及其影响。Laozi's philosophy stands as a pillar of Daoist philosophical thought and together with Zhuangzi's philosophy,has established the groundwork for the shaping and evolution of the ancient Chinese artistic spirit.“The Fool”,as a unique image crafted within the context of Laozi's philosophy,expresses a spirit of“folly”imbued with deep artistic and philosophical significance.This paper seeks to interpret the notion of“folly”within the philosophical framework of Laozi,revealing the characteristics of“The Fool”as being unenlightened yet concealing a profound mystery akin to the esoteric.Building upon this philosophical foundation,the study delves into the artistic spirit inherent in“The Fool”from three aspects:valuing simplicity,subtlety,and independence.It examines the manifestation and impact of“The Fool”artistic spirit within the realm of ancient Chinese art.

关 键 词：老子 愚人 质朴 含蓄 独立 艺术精神 

分 类 号：J02[艺术—艺术理论]