《明宣宗行乐图》的持续在场与意识再现——运动技能如何表象“行乐图”的时间哲学研究  

Continuous Presence and Consciousness Reproduction of the Painting of Entertainment of Xuanzong of Ming Dynasty——A Study on the Time Philosophy of How the Motor Skills Represent the Painting

作　　者：安汝杰 AN Ru-jie(School of Physical Education,Pingdingshan University,Pingdingshan 467000,Henan,China)

机构地区：[1]平顶山学院体育学院,河南平顶山467000

出　　处：《宝鸡文理学院学报（社会科学版）》2024年第3期115-119,125,共6页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：国家社会科学基金重大项目:明清小说戏曲图像学研究(项目编号:19ZDA256)。

摘　　要：感知就是将主观的意识能量对象化为运动技能,运动技能的运行轨迹作为对象化的表象描绘出“行乐图”的整体外观,也正是整一性的“行乐图”的生成揭示出意识主体对于运动技能的立义前提是现在感知的持续在场。瞬间立义无疑是图像意识的当下在场,其内容可以是捶丸运动的全部动作,也可以是其每个动作的意识流程,而每一流程都归属于一个意识外化出来的直观,直观的物质材料就是有待运动意向充实的图像空间,进而“行乐图”构造活动的本质就是行乐者以其运动意向填充图像空间的意识再现过程。“过”是过往,过往是已逝时间客体的表象集合;“程”是图像,是表象集合的观念形态。由此,“过”的时间性与“程”的图像性在时间客体自身在此的意识变异中形成“行乐图”的观念界限。Perception is to objectify the subjective conscious energy into motor skills,and use the movement track of motor skills as the objectified image to depict the overall appearance of the “painting of entertainment”.It is also the generation of this integral “painting of entertainment” that reveals the premise of consciousness subject's meaning for motor skills is the continuous presence of perception.Instant imbuing is undoubtedly the present presence of image consciousness.Its content can be all the movements of chuiwan(strike pellet) or the conscious process of each movement,and each process belongs to the intuition externalized by consciousness.The intuitive material is the image space to be enriched by the movement intention.Thus,the essence of the construction activity of the “painting of entertainment” is the consciousness reproduction process of the entertainers filling the image space with their motion intention.“transition” is the past,and the past is the representation of the objects of the departed time;“procedure” is the image,is the conception form of representation collection.Therefore,the temporality of “transition” and the picturesqueness of “procedure” form the conceptual boundary of the “painting of entertainment” in the consciousness variation of the time object itself.

关 键 词：《明宣宗行乐图》 持续在场 意识再现 运动技能 时间哲学 

分 类 号：I01[文学—文学理论] J0-02[艺术—艺术理论] B835[哲学宗教—美学]