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作 者:颜敏[1] 陈海艳[1] YAN Min;CHEN Haiyan(College of Chinese Language and Literature,Jiangxi Normal University,Nanchang,Jiangxi 330022,China)
出 处:《江西师范大学学报(哲学社会科学版)》2024年第3期130-136,共7页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基 金:国家社会科学基金一般项目“新时代中国化马克思主义文学批评话语体系建构研究”(编号:21BZW001);江西省社会科学规划重点项目“当代文学批评主体性问题研究”(编号:20WX01);江西省社会科学规划一般项目“新时期以来的中国文学批评生态研究”(编号:22WX12)。
摘 要:在新时期以来文学批评的发展进程中,20世纪80年代出现的方法论变革是一种重要的批评现象。1985年被称为“方法论年”,其形成是由多种力量推动的。其时,文学批评生态被改造,文学批评话语及话语体系有了新的建构。文学批评的方法论变革在根本意义上是新时期之初文学观念、文学批评理念变化的基本体现,它实现了批评方法从一元到多元的深刻变革,彰显出一种时代性的、难能可贵的理论品格,其与那个时代的文化精神协和一致,表现出鲜明的启蒙、主体性等现代性价值诉求。这一变革有力地冲击了当代中国文学批评的传统模式,开启了新时期文学批评创新发展的新篇章,并为当下文学批评理论探索包括文学批评主体性建设、批评话语与话语体系的建构及文学批评学科意识的持续增强等提供了丰富而宝贵的历史经验。In the process of the development of literary criticism since the new era,the methodological reform that appeared in the 1980s is an important critical phenomenon.1985 has been called the“Year of Methodology”and its formation was driven by a number of forces.At that time,the ecology of literary criticism was reformed,and the discourse and discourse system of literary criticism had a new construction.In a fundamental sense,the methodological reform of literary criticism is the basic embodiment of the changes in literary concepts and literary criticism concepts at the beginning of the new period.It has realized the profound changes of methodology of literary criticism from monism to pluralism,demonstrating a kind of times and valuable theoretical character,which is in harmony with the cultural spirit of that era,and showing a clear modern value appeal such as enlightenment,subjectivity,etc.This change has strongly impacted the traditional mode of contemporary Chinese literary criticism,opened a new chapter in the innovation and development of literary criticism in the new era,and provided rich and valuable historical experience for the theoretical exploration of contemporary literary criticism,including the construction of the subjectivity of literary criticism,the construction of critical discourse and discourse system,and the continuous enhancement of the discipline consciousness of literary criticism.
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