宋代士人的“品墨观”及其审美内涵探赜  

A Probe into the Scholar's"View of ink"and its Aesthetic Connotation in the Song Dynasty

作　　者：肖雨欣 陈见东[1] Xiao Yuxin;Chen Jiandong(Arts College of Jiangsu University,Zhenjiang 212000,China)

机构地区：[1]江苏大学艺术学院,江苏镇江212000

出　　处：《艺术与设计（理论版）》2024年第5期117-119,共3页Art and Design

基　　金：江苏省研究生科研与实践创新计划项目项目编号:SJCX23_2119。

摘　　要：品墨为宋代士人的艺术活动,此寄情于墨的行为提升了是时墨的品质。文章旨在梳理宋代士人的“品墨观”,阐释宋时“品墨观”的演进路径,进而说明宋代墨工艺的提升及其时代审美内涵。文章认为,梳理及厘清宋代士人的“品墨观”,可侧面说明以墨为代表的宋代物质文化于是时社会文化活动中发挥的中坚作用,也可窥探物质文化于艺术审美历史长河中发挥的反推作用。Ink painting was an artistic activity of scholars in the Song dynasty.The act of attaching importance to ink painting enhanced the quality of ink painting.This paper aims to sort out the scholar's"View of ink"in the Song dynasty,to explain the evolution of the"View of ink"in the Song dynasty,and to explain the promotion of ink technology in the Song dynasty and its aesthetic connotation.This paper holds that sorting out and clarifying the scholar's"View of the taste of Mohism"in the Song dynasty can explain the key role played by the material culture represented by Mohism in the social and cultural activities of the Song dynasty,we can also probe into the reverse inference function of material culture in the long river of artistic aesthetic history.

关 键 词：宋代 士人 品墨观 审美 

分 类 号：J0[艺术—艺术理论]