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作 者:周萌 Zhou Meng
机构地区:[1]深圳大学人文学院中文系,广东深圳518060
出 处:《中州学刊》2024年第8期161-169,共9页Academic Journal of Zhongzhou
摘 要:与时间横轴相对,地理纵轴是宋人编织空间美学、建构文化符号、寄托人文理想,进而塑造宋代文明特质的基本载体。宋代诗话地理叙事看似散乱无章,实则是这种主流观念的诗学再现。与经史地理记载相比,宋代诗话的叙事重心不在描述地理的自然属性,而在美学赋能,分别从名胜、风物、文学三重维度揭示出地理所蕴含的文化内涵及话语价值。这些叙述呈现的复调意味,不仅映证了诗话是按传播逻辑成篇的文体特性,而且有助于推动对人文地理的多层次理解,拓展受众的美学认知,并为文学叙事提供跨界样本及话语助力。In contrast to the horizontal axis of time,the vertical axis of geography is the basic carrier for Song people to weave spatial aesthetics,construct cultural symbols,and express humanistic ideals,thereby shaping the cultural characteristics of the Song Dynasty.The geographical narrative of poetry talks in the Song Dynasty may seem scattered and disorganized,but it is actually a poetic representation of this mainstream concept.Compared with the geographical records of scriptures and history,the narrative focus of poetry talks in the Song Dynasty is not on describing the natural attributes of geography,but on aesthetic empowerment,revealing the cultural connotations and discourse value contained in geography from the three dimensions of showplace,scenery,and literature.The polyphonic meanings presented in these narratives not only reflect the stylistic characteristics of poetic discourse that follows the logic of dissemination,but also help to promote a multi-level understanding of human geography,expand the audience’s aesthetic cognition,and provide cross disciplinary samples and discourse support for literary narration.
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