王家卫电影文本语言风格探析  

Analysis of Wong Kar-wai’s Film Text Language Style

作　　者：颜胤盛 黄思洋 YAN Yinsheng;HUANG Siyang(College of Literature and Journalism,Hunan University of Technology,Zhuzhou 412007,China)

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《湖南工业大学学报（社会科学版）》2024年第5期90-97,共8页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社科基金艺术学项目“媒介生产力变革中的艺术人民性创新发展研究”(23BA022);湖南省学位与研究生教学改革项目“数字化建设背景下艺术类研究生课程教学教学模式改革与实践研究——以《影视音乐》课程为例”(2024JGZD058)。

摘　　要：王家卫电影的文本语言独树一帜,尤其注重表现主人公的情感流向,在诗意化叙事场景中具有独特的地位。其运用抽象的文字符号进行表意,使得数字与时空、意象与记忆、独白与情感产生互联;运用错位的技法进行编码,使得文本语言与外部声响、人物行为和镜头场景之间呈现出矛盾的表意结构,在冲突中增强了情感表现;运用诗性语言解蔽真善美,使得文本语言中潜在的“情景合一”“理性超脱”“把握此在”内涵在叙事空间中得以充分显现,带给观众丰赡的人生启示。Wong Kar-wai’s films have a unique text language,especially focusing on the emotional flow of the protagonist,and have a more unique position in the poetic narrative scene.They use abstract text symbols for expression,so that numbers and time and space,images and memories,monologues and emotions are interconnected.The use of dislocation techniques for encoding makes the text language and external sounds,character behaviors and camera scenes present a contradictory ideographic structure,which enhances the emotional expression in the conflict.The use of poetic language to uncover the truth,goodness and beauty makes the potential connotations of“unity of emotion and scenery”,“rational detachment”and“grasping this existence”in the text language fully manifest in the narrative space,bringing the audience rich life enlightenment.

关 键 词：王家卫电影 文本语言 文字符号 语言结构 文本内涵 

分 类 号：J905[艺术—电影电视艺术]