文学镜像映照中的历史真实——孙甘露《千里江山图》新论  

Historical Reality in Literary Mirror Reflection——A New Discussion on Sun Ganlu’s A Thousand Li Map of Rivers and Mountains

作　　者：王俊虎[1] WANG Junhu(School of Chinese Language and Literature,Yan’an University,Yan’an,Shaanxi 716000)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《中国文学研究》2024年第4期158-165,共8页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“延安文艺与现代中国研究”(18ZDA280)。

摘　　要：孙甘露的长篇小说《千里江山图》将先锋实验特质融入现实主义与现代主义的结合当中。作者在先锋实验式的小说结构中,融以坚定写实性的革命历史叙事,同时大量插入现代主义的隐喻与象征手法来建构小说。孙甘露以重建“红色上海”的文学想象为旨归,以党中央从上海转移的真实事件为历史原型,以牺牲在龙华的革命烈士为艺术群像,书写了一曲悲壮恸人的革命史诗。孙甘露尝试以小说探解人民江山论,将共和国千里江山与具有红色血脉的光荣城市上海、白色恐怖中浴血奋战的革命斗士、平凡而伟大的人民群众相结合,将忠诚与信仰贯穿于整部作品,开创了叙写红色革命传奇的新篇章。Sun Ganlu’s novel A Thousand Miles of Rivers and Mountains incorporates the avant-garde experimental characteris-tics into the combination of realism and modernism.In the avant-garde experimental novel structure,the author incorporates a stead-fast and realistic narrative of revolutionary history,while also extensively incorporating modernist metaphors and symbolic techniques to construct the novel.To rebuild the literary imagination of“red Shanghai”,Sun Ganlu takes the real event of the Party Central Committee’s transfer from Shanghai as the historical prototype,and uses the revolutionary martyrs sacrificed in Longhua as the artis-tic group portrait,writing a tragic and mournful revolutionary epic.Sun Ganlu attempted to explore the theory of the people’s rivers and mountains through novels,combining the glorious city of Shanghai with its red bloodline,the revolutionary fighters who fought in the midst of white terror,and the ordinary and great masses of the people.By integrating loyalty and faith throughout the entire work,Sun Ganlu opened a new chapter in narrating the legend of the red revolution.

关 键 词：孙甘露 《千里江山图》 文学镜像 上海 红色传奇 

分 类 号：I01[文学—文学理论]