现象学视域下审美经验的动感维度  

The Movement Dimension of Aesthetic Experience from the Perspective of Phenomenology

作　　者：盛颖涵 Sheng Ying-han

机构地区：[1]南京特殊教育师范学院

出　　处：《德国哲学》2024年第1期157-170,271,共15页Chinese Journal of German Philosophy

摘　　要：审美活动中对静止对象运动感的捕捉离不开主体自身的动感机制,动感既是身体各部分的运动感觉,也是身体自发进行运动的能力,它在审美活动中具有不可或缺的作用。动感参与构造身体空间,主体正是以身体空间为基准去感知审美对象的空间关系和运动形态的。它作为一个整体系统拥有动机引发功能,时刻推动对象的显现,这种显现的连续性正是运动感产生的基础。动感不仅暗中帮助把握对象的运动节奏和韵律,还能将动势延伸至空白以及对象之外的空间,从而营造出富有生机的审美空间。动感在连接空间的同时,也串联起时间,尤其是动感朝向未来的筹划能力,为运动节奏的显现创造了可能性。The capture of the motion of a stationary object in aesthetic activities cannot be separated from the subject’s own mechanism of Kinaesthesis?Kinaesthesis is not only the motion sensation of various parts of the body,but also the ability of the body to spontaneously move?It plays an indispensable role in aesthetic activities?Kinaesthesis participates in the construction of body space,and the subject perceives the spatial relationships and motion forms of aesthetic objects based on the body space?As a whole system,it has a motivational function that constantly drives the manifestation of objects,and the continuity of this manifestation is the foundation for the generation of a sense of motion?The sense of kinaesthesis not only helps to grasp the rhythm and rhythm of the object’s movement,but also extends the momentum to the blank and space outside the object,thereby creating a vibrant aesthetic space?Kinaesthesis not only connects space,but also connects time,especially the ability to plan towards the future,creating possibilities for the manifestation of movement rhythm?

关 键 词：审美 动感 空间 身体 

分 类 号：B516.52[哲学宗教—外国哲学]