以生命作为一种认知方式——论塞尔对《堂吉诃德》的美学解读  

Life as a Cognitive Style:Michel Serres's Aesthetic Interpretation of Cervantes's Don Quixote

作　　者：徐明[1] XüMing(Sino-West Academy of Zhejiang University)

机构地区：[1]浙江大学中西书院,浙江杭州310058

出　　处：《外国文学》2024年第6期141-151,共11页Foreign Literature

摘　　要：塞万提斯的《堂吉诃德》在文学领域享有极高声誉,中外学界对它的研究也是汗牛充栋。法国哲学家米歇尔·塞尔从身体视角出发,在知识、审美及伦理层面对这部作品做了新的解读。塞尔认为,印刷术盛行的文艺复兴时期与当下高度数字化的信息时代有着一定的相似性,不管是塞万提斯时代认知载体从口述到纸媒,还是当下从书籍到电子媒介的转变,都意味着社会进入了一个转型时期,而《堂吉诃德》正好为我们呈现了这一过渡时期的种种可能性。塞尔从噪声理论、混合概念以及生命维度出发对这一转型作出了精妙的分析,为我们绘制了一幅感与知、虚与实相交织的动态图谱,使我们在现代环境中收获这一巨作的全新意义的同时,还能让我们在重读经典中返归生命本身。Cervantes's Don Quixote holds a prestigious place in literature,with extensive research conducted on it both domestically and internationally.French philosopher Michel Serres offers a fresh interpretation of the novel by examining it through the lens of knowledge,aesthetics,and ethics,focusing on the body.Serres draws parallels between the Renaissance,when printing became widespread,and the present digital age,suggesting that both eras reflect a transformation in cognitive media—from oral to written media in Cervantes's time,and from books to electronic media today.These shifts signal transitional periods,and Cervantes,at such a turning point,presents possibilities for us.Using his theory of noise,concept of mélange,and life dimension,Serres creates a dynamic interplay of sensibility and reason,fiction and reality,which not only allows us to uncover new meanings in this literary masterpiece for modern society but also invites us to reconnect with life itself through re-reading the classics.

关 键 词：塞尔 塞万提斯 《堂吉诃德》 生命 认知 

分 类 号：I551[文学—其他各国文学]