论王维佛理诗中的象喻  

On the Images of the Poems by Wang Wei Based on Buddhist Philosophy

作　　者：邱瑞祥[1] 

机构地区：[1]肇庆学院中文系,广东肇庆526061

出　　处：《贵州大学学报（社会科学版）》2002年第6期55-61,共7页Journal of Guizhou University(Social Sciences)

摘　　要：王维的佛理诗重视象喻的使用 ,其方式主要有两种 :其一 ,从纯粹言理出发 ,直接引用佛经中的典故 ,使其所言之佛理 ,更为准确明显 ,表现出以理取胜的特点。其二 ,则是从某一感性形象出发 ,通过景物的描写 ,来显示他对佛理的体悟 ,理寓景中 ,景理相谐 ,使诗的意味更加深长。前者带有浓郁的佛教文化的色彩 ,展示出佛教日益融入中国文化的发展趋势 ,而后者则典型地表现出中国文人的情趣以及王维个人的品性、艺术才能与风格。The poems by Wang Wei based on Buddhist philosophy focus on the application of images and are concluded in two striking features: (i) based on the pure theory from Buddhism by citing stories directly from Buddhist Scripture. As a result, he expresses his views with clear and accurate Buddhist ideas; (ii) based on a perceptual image (e.g. the description of a scene), he expresses his views on Buddhism. The implication of his views, through the description of the scene and the harmony of the view and the scene, enhances the meaning of his poems. The former reflect a strong color with Buddhist culture revealing a tendency that Buddhism is being more and more involved in the Chinese Culture; while the latter demonstrate the emotion and interest of the Chinese scholars and the personality, artistic talents and style.

关 键 词：王维 佛理诗 象喻 

分 类 号：I207.22[文学—中国文学]