桂西北祝著节文化符号的解构与重构——基于国家在场的分析框架  

THE DECONSTRUCTION AND RECONSTRUCTION OF CULTURAL SYMBOLS OF ZHUZHU FESTIVAL IN NORTHWESTERN GUANGXI:An Analytical Framework Based on the Presence of the Sate

作　　者：陈锦均[1] 黄子玲 Chen Jinjun;Huang Ziling

机构地区：[1]广西民族大学民族学与社会学学院,广西南宁530006

出　　处：《广西民族研究》2024年第4期110-118,共9页GUANGXI ETHNIC STUDIES

基　　金：广西哲学社会科学规划研究课题“广西过山瑶契约文书搜集、整理与研究”(22FMZ026)。

摘　　要：祝著节是流行于广西瑶族支系布努瑶聚居区的一个民族传统节日,是集族群记忆、宗教信仰、音乐歌舞、民族美食于一身的文化复合体,既体现了布努瑶传统文化的特殊魅力,又凸显了中华优秀传统文化的多样性。祝著节文化符号从信仰在场向国家在场的转向,深刻说明了国家话语对节日庆典活动的嵌入与掌控,这对传统文化的发展而言既是机遇也是挑战。运用国家在场的理论分析框架,从国家与社会两者的互动关系,讨论祝著节如何在传统与现代的博弈中重构文化符号这一发展命题,是对中华优秀传统文化如何进行守正创新的学理思考,也是对中华民族传统文化如何实现创造性转化与创新性发展的实践探索。The Zhuzhu Festival is a traditional ethnic festival prevalent in the Bunu Yao(a branch of Yao ethnic group)inhabited areas of Guangxi.It is a cultural complex which integrates ethnic memory,religious beliefs,music and dance,and ethnic cuisine,reflecting the unique charm of Bunu Yao traditional culture while highlighting the diversity of Chinese excellent traditional culture.The shift of the cultural symbols of the Zhuzhu Festival from the presence of faith to the present of the state profoundly illustrates the embedding and control of the state discourse in festival activities,presenting both opportunities and challenges for the development of traditional culture.By using the theoretical framework of the presence of the state,this paper,from the interaction between the state and society,discusses this development proposition of how the Zhuzhu Festival reconstructs cultural symbols in the interplay between tradition and modernity,and it is a theoretical reflection on how to carry out innovation with upholding fundamental principles to Chinese excellent traditional culture,as well as a practical exploration of how to realize the creative transformation and innovative development of Chinese ethnic traditional culture.

关 键 词：祝著节 文化符号 国家在场 

分 类 号：G958[文化科学]