现代美学领路人邓以蛰美学思想探析  

Exploring the Aesthetic Thought of Deng Yizhe,the Leader of Modern Aesthetics

作　　者：甘航宇 吴卫[1] Gan Hangyu;Wu Wei

机构地区：[1]湖南师范大学美术学院,湖南长沙410012

出　　处：《艺术管理(中英文)》2024年第4期18-24,共7页Journal of Arts Management

基　　金：国家社会科学基金艺术学项目“中国近现代设计教育先行者研究(1911—2011)”(项目编号:21BG120)

摘　　要：探究现代美学领路人邓以蛰的美学思想,对于当今美学理论发展具有借鉴意义。通过对文献资料大量研读分析,本文简要回顾了邓以蛰的艺术人生,梳理总结出邓以蛰美学思想主要体现在以下三个方面:“意境论的再阐述:气韵生动”“研究法的再演绎:画史画学”“性灵说的再诠释:美为性灵”。邓以蛰的美学思想贯通中西,融汇古今,创造性地开辟了中国美学理论的研究方法和美学体系,在古典与现代的美学发展中找到了平衡点。他的美学成就在中国现代美学的研究和发展中也起到了先锋作用。Exploring the aesthetic thought of Deng Yizhe,a leading figure in modern aesthetics,is of great significance to the development of today's aesthetic theory.Through reading and analyzing a lot of literature and briefly reviewing Deng Yizhe's artistic life,we summarize Deng Yizhe's aesthetic thought in the following three aspects:“Re-exposition of the theory of mood:vivid Flavour”,“Re-interpretation of the research method:histories of painting are the studies of painting”,“The reinterpretation of the theory of spirituality:beauty as spirituality”.Deng Yizhe's aesthetics thought is well-versed in both Chinese and Western studies,blending the ancient and the modern,creatively opened up the research method and aesthetics system of Chinese aesthetics theory,and found a balance between classical and modern aesthetics development,and his aesthetics achievement also played a pioneering role in the research and development of modern Chinese aesthetics.

关 键 词：邓以蛰 美学思想 气韵生动 美为性灵之表现 画史即画学 

分 类 号：B83-0[哲学宗教—美学] J01[艺术—艺术理论]