作家形象接受与重构文学史的路径  

The Path of Reception and Reconstruction of the Writer’s Image in Literary History

作　　者：彭依伊 Peng Yiyi

机构地区：[1]北京大学中文系,北京100871

出　　处：《学术研究》2025年第2期170-176,178,共8页Academic Research

摘　　要：作家形象接受是基于接受理论重构文学史的一种尝试,从关系式与动态对话的角度,体现作者、文本、读者与文学史的相互作用,并探索接受主体的审美经验、时代与社会文化的集体想象等。姚斯的“共时与历时”文学史方案,与伊瑟尔的召唤结构、暗隐读者理论,分别从宏观文学史与微观文本层面,为“作家形象接受”的创想提供了核心依据与重要的阐释方法。具体操作上,作家形象接受需兼顾同代文人交游与后世读者接受,研究文本既包括作家本人作品,又涉及与作家相关的传记、书信、忆文、评述甚至当代的多媒体作品。跨时代的特征,使各类作品之间相互影响,作家形象的接受与重构因而有了多重层垒。以“作家形象接受”给予重构文学“效果史”书写的可能,理论与实践有望达到双向融合,以此丰富文学史的结构与层次。The reception of the writer’s image,as an endeavor to reconstruct literary history through the lens of reception theory,is characterized by the interaction between the author,text,reader,and literary history,viewed from a relational and dynamic dialogue perspective.This approach delves into the aesthetic experiences of the recipients and the collective imagination of the era and social culture.The“synchronic and diachronic”literary history scheme proposed by Jauss,alongside Iser’s theory of the implied reader and the structure of appeal,offers fundamental principles and significant interpretive approaches to the concept of“reception of the writer’s image”at both the macro level of literary history and the micro level of textual analysis.Practically,the reception of the writer’s image must take into account the interactions among contemporary writers and the reception by subsequent readers.The corpus of study encompasses not only the writer’s own works but also related biographies,letters,memoirs,reviews,and even contemporary multimedia creations.The cross-generational nature of these works results in mutual influences,endowing the reception and reconstruction of the writer’s image with multiple layers.The potential for crafting a“history of effects”in literary reconstruction through the“reception of the writer’s image”facilitates a possible two-way integration of theory and practice,thereby enriching the structure and depth of literary history.

关 键 词：作家形象 接受美学 文学史 姚斯 伊瑟尔 

分 类 号：I0[文学—文学理论]