扬雄礼乐美学论要  

Essentials of Yang Xiong's Rites-Music Aesthetics

作　　者：祁海文[1] Peng Ping Qi Haiwen(the School of Literature at Shandong University)

机构地区：[1]山东大学文学院,山东济南250100 [2]the School of English and International Studies at Beijing Foreign Studies University

出　　处：《孔学堂》2024年第3期20-30,131-143,共24页Confucian Academy

基　　金：2017年度国家社会科学基金重大项目“中国礼乐美学对传统制度文明的创构研究”(项目批准号:17ZDA015)阶段性成果

摘　　要：在西汉晚期儒家学说神秘化背景下,扬雄以弘扬先秦儒学理性精神为己任,在“尚智”精神的主导下,全面探讨了礼乐制度的政治教化功能与建构理想政治的积极意义;以“修性”为中心,以“全德”为目标,论述了礼乐制度通过“正其视听言行”从而导人之“善”的教化特征。扬雄的礼乐美学以儒家传统的“文质”论为枢纽,延伸到对文艺问题的美学思考,其辞赋论呈现出平衡文艺的审美功能与政治教化作用之矛盾的美学取向。In the context of the mystification of Confucianism in the late Western Han dynasty,Yang Xiong took it as his responsibility to promote the rationality of pre-Qin Confucianism.In the spirit of honoring wisdom,he comprehensively explored the governance and education function of the rites-music system and the positive significance of constructing an ideal governance system.With the cultivation of one's inherent nature as the center and the perfection of virtue as the goal,he discussed how to educate people through rites and music so that they would be inclined toward the good by aligning their seeing,hearing,speech,and behaviors with what was proper.Yang Xiong's rites-music aesthetics,expanded from the traditional Confucian doctrine of ornamenting one's basic substance to the aesthetic thinking of literary and artistic issues.His idea of poetry and rhymed prose shows an aesthetic orientation that balances the aesthetic function of literature and art with its role in governance and cultivation.

关 键 词：扬雄 尚智 礼乐美学 礼乐教化 全德 文质 

分 类 号：B83-0[哲学宗教—美学] I01[文学—文学理论] B234.99