比较文学跨学科视域下小说的音乐书写研究  

On Musical Writing of Novels from the Interdisciplinary Perspective of Comparative Literature

作　　者：邢玲 宋德发[1] Xing Ling;Song Defa(School of Literature and Journalism,Xiangtan University,Xiangtan Hunan 411105,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《衡阳师范学院学报》2025年第1期109-115,共7页Journal of Hengyang Normal University

基　　金：湖南省研究生科研创新项目“列夫·托尔斯泰小说的音乐书写研究”(CX20240585);湘潭大学研究生科研创新项目“列夫·托尔斯泰小说的音乐书写研究”(XDCX2024Y089)。

摘　　要：小说的音乐书写研究目前虽处于起步阶段,却是一个值得关注的比较文学跨学科研究的话题。学界对“音乐哲学”“音乐美学”“音乐伦理学”“音乐性”“音乐化”等概念和研究范式的探讨,为小说的音乐书写研究积累了一定的理论基础。小说的音乐书写研究涉及的小说主要有以下三类:一是作者有意识地借用音乐讲述故事内容的小说;二是主人公是音乐家或主人公以音乐表演谋生的小说;三是小说形式与音乐具有同构性的小说。研究者应基于文学本位,从小说家音乐书写的创作意向、小说与音乐多维度的“越界融通”、小说接受主体的音乐化再创造等方面,对小说的音乐书写进行文本细读和阐释。Although the research on musical writing in novels is still in its infancy,it has emerged as a noteworthy interdisciplinary top⁃ic within comparative literature.Academic discussions on concepts and research paradigms,such as“philosophy of music”,“musical aesthetics”,“musical ethics”,“musicality”,and“musicalization”,have established a solid theoretical foundation for the study of musi⁃cal writing in novels.The novels pertinent to this research primarily categorize into three.Firstly,novels where the author consciously incorporates musical elements to tell the story,secondly,novels where the protagonist is a musician or earns a livelihood through musi⁃cal performances,and thirdly,novels where the formal structure resonates with the principles of music.Researchers should conduct a textual analysis and interpretation of the music writing in novels based on literary standards,including the creative intention of novel⁃ists in music writing,the multidimensional“cross-border integration”of novels and music,and the musical re-creation of the subject of the novel’s reception.

关 键 词：小说 音乐书写 跨学科 

分 类 号：I0-05[文学—文学理论]