晚清江南地区床榻类家具的知识考古与图像掌故——以《点石斋画报》为中心  

The Knowledge Archaeology and Visual Narratives of Beds in Jiangnan During the Late Qing Dynasty:Focusing on Dianshi Studio Pictorial

作　　者：沈冠东 Shen Guandong

机构地区：[1]盐城师范学院美术与设计学院

出　　处：《艺术与民俗》2025年第1期85-92,共8页Journal of Arts and Folklore

基　　金：2023年教育部人文社会科学研究规划基金项目“图像、什物及日常:《点石斋画报》中晚清江南地区器物掌故与日用思想研究”(项目编号:23YJA760073)的阶段性成果。

摘　　要：通过对床榻词源与形制的考辨可以发现,直至明清时期,床榻的名称与样式才基本稳定下来。《点石斋画报》是钩沉晚清床榻与日常生活的重要图像宝库,它揭示了床榻不只是可供人们栖息的家具,也是一件件充满无穷生活意趣的工艺品。床榻之上流淌着中国人骨子里的斯文,并在日常之中体现出它美善相兼的风情雅韵。An examination of the etymology and design of beds suggests that the terminology and styles of bed only became relatively stable during the Ming and Qing dynasties.Dianshi Studio Pictorial is an important visual archive for tracing beds and daily life of the late Qing period.It reveals that these furnishings were not merely resting places but exquisite craft pieces imbued with endless charm and vitality.Flowing through these beds is the innate refinement of the Chinese people,which manifests in daily life as an elegant fusion of beauty and utility.

关 键 词：床榻 知识考古 图像 《点石斋画报》 

分 类 号：J120.9[艺术—艺术理论]