董仲舒乐论的四层和合价值取向及其逻辑  

The Value Orientations and Logical thinking of Four Layers of Harmony in Dong Zhongshu’s Music Theories

作　　者：李长泰 LI Changtai(School of Maxism,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学马克思主义学院,重庆401331

出　　处：《衡水学院学报》2025年第2期7-12,共6页Journal of Hengshui University

基　　金：国家社科基金重点项目(21AZD105);国家社科基金后期资助项目(19FZXB070)。

摘　　要：董仲舒在《春秋》学中对乐有深刻的论述。学者对董仲舒的乐论只研究了其德性大义内涵或者美学形式内涵,而没有关注到其深层价值取向。董仲舒的乐论从主旨上主要有体用和合、内外和合、质文和合和美善和合四层价值取向。体用和合价值取向凸显了音乐的以乐循理旨趣,内外和合体现了音乐的盈内发外旨趣,质文和合彰显了音乐的应人成人目标,美善和合表达了音乐的乐美达善境界。董仲舒乐论的四层和合价值取向凸显了体、形、文、善的思维逻辑。Dong Zhongshu has profound discussions on music in his studies of Chronicles of Spring and Autumn.Scholars have only studied the moral significance and aesthetic form of Dong Zhongshu’s theories,without paying attention to the deeper value orientations of his theories.The main value orientations of Dong Zhongshu’s music theories can be categorized into four layers:the harmony of essence and application,the harmony of internal and external,the harmony of quality and form,and the harmony of beauty and virtue.The value orientation of essence and application highlights the intrinsic logic and purpose of music,the harmony of internal and external reflects the outward expression of inner fulfillment in music,the harmony of quality and form emphasizes the goal of human development through music,and the harmony of beauty and virtue conveys the beautiful realm of virtue achieved through music.The four layers of harmonious value orientations in Dong Zhongshu’s theories on music underscore the logical thinking of essence,form,literature,and virtue.

关 键 词：董仲舒 乐论 价值取向 和合 礼治思想 

分 类 号：B234.5[哲学宗教—中国哲学]