从“创化”到“创构”——宗白华美学对柏格森创化论的接受研究  

From“Creation Evolution”to“Creation Structure”——Zong Baihua’s Aesthetic Acceptance of Bergson’s Creation Evolution

作　　者：田宏宇 Tian Hongyu

机构地区：[1]安徽省淮南师范学院文学与传播学院

出　　处：《中国美学研究》2024年第2期284-300,共17页

基　　金：2023年安徽省教育厅人文社会科学研究项目重点项目“‘欲望说’视域下的生态批评研究”(2023AH051529)阶段性成果

摘　　要：从“创化”到“创构”,是宗白华对柏格森创化论的接受与演绎的过程。宗白华接受了柏格森的创化精神,将其贯注于生命运动的创化过程,表达为艺术创作的原始冲动,呈现为青年进化的奋斗性与创造性,同时又借助《周易》赋予创化以“空间”的创构,表现了音乐的节奏感与和谐的结构感。宗白华对柏格森思想的演绎过程,呈现的是中西时空观的思维差异与文化分歧。通过“创化”到“创构”的分析,为柏格森的接受研究提供新的路径,同时也为传统美学实现中西汇通提供思想借鉴。From“creation evolution”to“creation structure”,it is the process of Zong Baihua’s acceptance and interpretation of Bergson’s creation evolution.Zong Baihua accepted the spirit of Bergson’s creative evolution and focused it on the creative evolution process of life movement,expressing it as the original impulse of artistic creation,presenting it as the struggle and creativity of the evolution of young people.At the same time,with the help of Zhouyi,Zong Baihua gave the creative structure of“space”,expressing the sense of rhythm and harmonious structure of music.Zong Baihua’s interpretation of Bergson’s thought shows the difference of thinking and culture between Chinese and Western views of time and space.Through the analysis of“creation evolution”to“creation structure”,it provides a new way for Bergson’s acceptance study,and also provides a reference for the traditional aesthetics to realize the convergence of Chinese and Western ideas.

关 键 词：宗白华 柏格森 创化 创构 接受 

分 类 号：I01[文学—文学理论] B83-0[哲学宗教—美学]