“生生”之乐——宋代理学乐论的生命精神  

Music of“Sheng Sheng”——The Life Spirit of Neo-Confucianism’s Music Theory in Song Dynasty

作　　者：郭鹏飞 Guo Pengfei

机构地区：[1]山东大学文艺美学研究中心

出　　处：《中国美学研究》2024年第2期97-115,共19页

基　　金：教育部人文社会科学重点研究基地重大项目“中国文艺美学思想发展与中华美学精神研究”(22JJD750029)阶段性成果

摘　　要：宋代理学乐论深受《周易》影响,为“生生”之学所贯通,把生命作为乐论的根本出发点和落脚点,由此讨论乐的本源、通变与境界。宋代理学家认为“生生之理”是乐之本源,从形上、形下两方面肯定了自然之乐的存在,达成了道与器、艺术与自然的统一,并以“变易”和“不易”来统合古今礼乐,强调时与位、情与理的统一,主张礼乐制度的沿革与生命的发展、完善相一致。理学家对“天地之心”的阐释丰富了心性的内涵,提升了乐的生命境界,进一步完善了儒家的审美人格理想。这不但进一步深化和升华了中国音乐的生命精神,彰显了中国音乐的生生之美,也为易学和美学的融通提供了典范。The music theory of the Song Dynasty was deeply influenced by Zhouyi and guided by the theory of“Sheng Sheng”,taking life as its fundamental starting point and foothold,and thus discussing the origin,transformation and realm of music.The Song Dynasty scholars believed that the theory of“Sheng Sheng”was the origin of music,confirmed the existence of natural music from both metaphysical and sub-metaphysical aspects,achieved the unity of Tao and instrument,art and nature,and integrated ancient and modern ritual and music with“constantly changing”and“unchanging”,emphasizing the combination of time and place,feeling and theory,and advocating that the evolution of the ritual and music system is consistent with the development and improvement of life.The interpretation of the“heart of heaven and earth”by the Confucianists enriched the connotation of mental nature,promoted the realm of life of music,and further improved the Confucian aesthetic ideal of personality.This not only further deepened and sublimated the life spirit of Chinese music,highlighted the beauty of“Sheng Sheng”of Chinese music,but also provided a model for the integration of Zhouyi and aesthetics.

关 键 词：宋代 理学 乐论 《周易》 生生 

分 类 号：B244[哲学宗教—中国哲学] J601[艺术—音乐] B221