合成空间与中国古典诗词意象  

Mental Spaces and the Imagery Interpretation in Chinese Ancient Poems

作　　者：余渭深[1] 董平荣[1] 

机构地区：[1]重庆大学外国语学院

出　　处：《外语与外语教学》2003年第3期4-6,共3页Foreign Languages and Their Teaching

摘　　要：本文运用Faueonnier和Turner等人提出的合成空间理论从认知层面对中国古典诗词意象的构建进行简要个案分析,旨在说明概念整合是一种非常普遍的认知活动,具有极强的认知解释力.合成空间为理解诗词的意象组合和创新提供了一种有力的、不可或缺的认知工具.Based on the Blending Theory proposed by Fauconnier and Turner, this paper attempts to analyze the imagery interpretation in Chinese ancient poems from cognitive perspective. It demonstrates that conceptual blending is a general cognitive operation with powerful cognitive force. Blending, as a strong and indispensable cognitive instrument, can be applied to reinterpretation of imagery in poems.

关 键 词：认知语言学 合成空间理论 古典诗词 意象 跨空间映射 单边网络 《静夜思》 《相见欢》 《天净沙·秋思》 概念整合 

分 类 号：I207.2[文学—中国文学] H0-05[语言文字—语言学]