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作 者:董晓航[1]
机构地区:[1]中原工学院,河南郑州450000
出 处:《河南师范大学学报(哲学社会科学版)》2003年第3期62-64,共3页Journal of Henan Normal University(Philosophy and Social Sciences)
摘 要:文学是语言艺术,作为对"想象的世界"的表现,文学语言和普通的实用语言的不同,在于其情感性、多义性,在于其联想的丰富和多彩。文学作品的形象是通过间接的方式,通过想象的过程呈现给读者的。文学文本中语言符号与意义的分离与偏转所造成的不确定性和空白,为欣赏者留下了想象和联想的空间,欣赏者需要依靠想象的能力对空白进行独特的、创造性的填充和确定。因此,把握文本的思想深义,感悟艺术形式的表现技巧,最重要的首先是对文学文本层面的认识,然后经过想象、联想的作用,唤起具体可感的个人艺术世界,即创造性的艺术形象世界。艺术形象沟通了作品的浅层结构和深层结构的联系。Literature is the art of language. As a form of expression reflecting the imaginative world, the literary language differs from the practical language, which lies in its quality of emotion, polysement and rich and colorful association. The image in the literary works is presented to the readers by means of an indirect way and an imaginative process. The uncertainty and space caused by the separation and deviation of language symbol and its meaning gives much room for the reader's imagination and association. The readers are expected to fill in the space in a unique and creative way based on their imagination. As a result, in order to seize the profound meaning and sense the technique of the expression of artistic form in the literary works, it is important for the readers to have the surface understanding of the literature, then the specific and sensible artistic world, that is, the artistic image world of the creation, are aroused through the imagination and association. The artistic image is a connection between the surface and deep structure of the literature.
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