再论“作者之死”六个观点  

Re-Discussion on the Six Viewpoints of “The Death of the Author”

作　　者：赵子烨 宋玉锡 国益搏 

机构地区：[1]吉林大学公共外语教育学院,吉林 长春

出　　处：《哲学进展》2023年第3期570-578,共9页Advances in Philosophy

摘　　要：本文首先梳理了十位哲学家的“死亡观”,认为它们虽有贡献,却具有争议性,在文学领域为解构主义的贡献却不如罗兰·巴特“作者之死”以读者为中心的主位构想。基于十位哲学家的“死亡观”,本文梳理了罗兰·巴特的“作者之死”五个观点,提出读者才是新意义的创造者。作者未死,而是存在于作品的阐释中;作者未消亡,而隐藏在文本的背后,写作结束即作者存在,文本出版即作者再生。This paper first sorts ten philosophers’ conceptions of the “view of death”, and regards them as limited contributions due to their controversies. Their contributions are not as good as “the death of the author” of theme conception in the deconstructivism dominion. This paper secondly sorts five viewpoints about “the death of the author” of Roland Barthes. Based on the ten philosophers’ discussions, this paper puts forward that the reader is the center to generate new meaning. The author does not pass away but exists on the explanation;the author does not disappear but hides behind the text. The end of writing is the presence of the author, and the publication is as well as representation.

关 键 词：死亡观 罗兰·巴特 作者之死 

分 类 号：G63[文化科学—教育学]