论中国古代诗学的三大理论形态  

On the Three Theoretical Forms of Ancient Chinese Poetics

作　　者：贺天忠[1] 

机构地区：[1]襄樊学院中文系,湖北襄樊441053

出　　处：《中南民族大学学报（人文社会科学版）》2004年第4期159-163,共5页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：湖北省教育厅科研项目"中国古代诗学三大质变之研究"(2003D180)。

摘　　要：在我国古代文论研究中存在着一个相当普遍的理论误区,即把意象说、意境说和境界说三种不同质的诗学理论形态混为一谈。从意象说到意境说再到境界说是中国古代诗学理论经历的三次大质变,也是中国古代诗学中的泛理论型、典范型和崇高型三大形态。In the researches into ancient Chinese literature and art, there exists a common mistaken concept-lumping image, artistic concept and plane attained together. Ancient Chinese poetical theories underwent three qualitative changes-from the theory of image to that of artistic concept, to that plane attained, which are the three forms of ancient Chinese poetics-the states of pan-theory, model and loftiness.

关 键 词：中国古代诗学 意象说 泛理论型 意境说 典范型 境界说 崇高型 

分 类 号：I052[文学—文学理论]