性别叙述的声音及其文化隐喻——关于《扶桑》和《永远的尹雪艳》的对读  

On the Narrative Voices of Gender and Cultural Metaphors: A Compara-tive Reading of Fusang and Ever young Yin Xueyan

作　　者：万莲姣[1,2] 

机构地区：[1]暨南大学文学院 广东广州510632湘潭大学学报编辑部 [2]湖南湘潭411105

出　　处：《中国比较文学》2006年第3期102-113,共12页Comparative Literature in China

摘　　要：声音构成了人们把握文学作品时的一个直观和透明的层面。《扶桑》和《永远的尹雪艳》正是提供了性别文化声音此消彼长、抑扬顿挫情形的代表性文本，男性的，女性的，双性混响的，众声杂语喧哗的，诸多声响既隐蔽在叙述人的基于生理的社会性别里，同时也弥漫在小说虚构人物的性别文化心理结构中。这两篇小说流动着的性别声音同中有异，异中有同，在此基础上涵育了一种不无生命伦理规训意义上的女性神圣文化隐喻。Narrative voice, as one of the intuitive and transparent techniques of narration, plays a vital part in the understanding of narrative works. The Chinese novels entitled Fusang and Ever-young Yin Xueyan written by two outstanding overseas Chinese writers are typical texts characterized by the symphony of the narrative voices of gender culture. Masculine voice, feminine voice, the mixture of the two and multiple voice are all hidden in the narrator＇s gender awareness on the biological basis and permeate into psychological aspects of gender culture of the fictional figures. The gender voices detected in the novels sometimes overlap, and sometimes just drift apart, creating an allegorical sense of life＇s ethic about the sacred feminine culture.

关 键 词：《扶桑》 《永远的尹雪艳》 性别叙述 文化隐喻 

分 类 号：I0-03[文学—文学理论] I106.4