论东晋庐山佛教和山水游记的发展  

The Development of Lushan Mountain Buddhism and Landscape Essay in Eastern Jin Dynasty

作　　者：王娟侠[1] 杨遇青[2] 

机构地区：[1]西安体育学院人文系,陕西西安710062 [2]南开大学文学院,天津300071

出　　处：《西安文理学院学报（社会科学版）》2007年第1期17-19,共3页Journal of Xi’an University(Social Sciences Edition)

摘　　要：佛学对东晋山水审美意识与山水游记的发展起到了推动作用。以慧远为首的诸道人以佛眼看庐山,形成较为集中的游记创作群作。其作品融铸了大自然的生命活力和佛理的空明玄寂,体现出玄理与地志的双重影响,可视为游记成熟的标志。宗炳对山水观照进行了美学阐释,表述了澄怀味象、与道冥合的玄理旨趣,代表了慧远一派山水游记的艺术趋向。Buddhist philosophy has played a positive role in promoting the development of aesthetic consciousness of landscape and landscape essay in Eastern Jin dynasty. Many Buddhists, taking Hui Yuan as the representative, wrote many excellent landscape essays which harmoniously blend the lively and vigorous nature and abstruse principle of Buddhism. Moreover, Zong Bing showed his aesthetic attitude towards the mountains and rivers representing the art trends of landscape essay of Hui Yuan school.

关 键 词：庐山佛教 山水游记 慧远 宗炳 审美观照 

分 类 号：I266.4[文学—中国文学]