道家思想与“无迹而神”的诗学精神  

Taoism and the Spirit of "Beauty in No Trace" in Poetics

作　　者：涂承日[1] 

机构地区：[1]洛阳理工学院社会科学系,河南洛阳471023

出　　处：《西华师范大学学报（哲学社会科学版）》2008年第4期27-32,共6页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：河南省教育厅2006年度人文社会科学研究规划项目(2006-GH-100)

摘　　要：中国诗学精神的诞生,大多脱离不了道家哲学的影响。道家虽本无意于今日所谓文学艺术,但其妙契艺境的思想观念却给后世的文艺家以无穷的启发。老庄哲学境域中的道器观、形神观、有无观,为中国文学艺术的审美趋向开拓了特有的思维方式,"无迹而神"的诗学形神观便是受惠于此种思维而逐渐培植起来的一种审美经验。Chinese Poetic spirits came into a shape inevitably under the influence of Taoistic philosophy. Taoism was originally not involved in the so-called art of today while its splendid and harmonious ideology has been edifying the later artists so much. Such theories in Laozi and Zhuangzi philosophy as Daoqi concept, form and spirit, being and not being have provided special thinking ways for Chinese literary and artistic tastes. The poetic form-spirit concept ＂Beauty in No Trace＂ is a kind of aesthetic experience cultivated under such thinking.

关 键 词：古代诗歌 无迹而神 道家思想 

分 类 号：I01[文学—文学理论]