论苏格拉底死亡事件的美学意义——兼论另一种理解美学史的方式  

The Aesthetics Significance About Death Of Scorathes And A NewWay To Apprehend History Of Aesthetics

作　　者：谢勇[1] 

机构地区：[1]华南理工大学新闻与传播学院,广东广州510006

出　　处：《齐鲁学刊》2009年第4期157-160,共4页Qilu Journal

摘　　要：我们所理解的"美学"从属于苏格拉底开创的西方形而上学"传统",而这一传统的形成又与苏格拉底的死亡事件存在着内在密切关联:正是这一"事件"使得苏格拉底的形而上学思想通过"教化"超越了个体生存的价值维度成为"传统",形而上学意义上的美学也应运而生。但是,苏格拉底悲剧般的"事件"昭示出走出形而上学迷局的道路:回归肉身。这条道路影响了尼采及以后的非理性主义美学家们和后现代美学家,使得"肉身"成为当代美学关注的重要问题。Aesthetics we understand is belong to the metaphysics tradition which govern western ideology circles has osculate connection with Seorate＇s performance of death. It is just because this EVENT that he＇s thinking of metaphysics transcend the dimension of individual exist and became a tradition. This event created aesthetics The thinking of aesthetics based on metaphysics emerged as time required. But in fact, this tragedy event also make clear the road walking out the aficionado of meta- physics： come back to human＇ body. Nietzsche and other unreasonlism thinkers, postmodernlisms just In this Way. And human＇s body became a important proposition of modern aesthetics.

关 键 词：形而上学 美学 肉身 苏格拉底 

分 类 号：B83-09[哲学宗教—美学]